I think I first heard about FKA twigs about a year ago. There was a review of her first full-length album, simply titled LP1, in Bitch magazine. It seemed like a pretty good review, but then so do a lot of the music reviews in Bitch. I didn’t really think much of it, until I started seeing pictures of her on Tumblr recently. She had this striking look about her, and this certain aesthetic that made me wonder how it reflected in her music. And so I decided to give her a chance and downloaded her album before I drove up to Big Bear Lake for my birthday last week.
I listened to it three times and then some all the way to the top of the mountain. Wow! This isn’t really like anything I’ve heard before. It’s a witchy fusion of chillout, R&B, and trip hop. It’s at some times eerie and other times seductive. It’s a slow burn but it’s hardly boring. It’s very experimental but seems confident it knows what it’s doing. I think it’s probably a really good sex album.
The album opens with a track just called “Preface” (a lot of the songs on here have rather succinct titles) which sounds like something that would be sung by a coven of witches in the woods at night. The lyrics are just this: “I love another and thus I hate myself.” Very short, but repeated like a chant, with ghostly electronic noises that creep into the tiniest crevices of your brain.
Then it goes into a track that placed itself in my favorites pretty much immediately: “Lights On.” The song starts in kind of an unsettling way with more electronic weirdness and sub-bass pulsing and you’re not sure where it’s going until we get FKA twigs’s hypnotic, deliberate vocals. But it’s the chorus that really seals it: “When I trust you we can do it with the lights on.” Both thematically and sonically (it’s those quiet, spooky electronic noises), it reminds me of “Hidden Place” by Björk, another one of my all-time favorite songs, in that it’s about sharing your vulnerability with someone. Well, and your body too, let’s not mince words here. Also, that car alarm at the end should seem jarring and misplaced…but it works.
“Two Weeks” is another seductive track, and it definitely goes all in. It’s got a lot of gusto for a song that sounds so smooth. You just feel it with your whole body. In the video, twigs portrays herself as a goddess in a temple, though that’s not apparent until we’re almost fully zoomed out. It’s the image you want to project when you’re trying to get someone to forget about their ex and realize how good they have it with you.
“Hours” is another stand out track for me on this album. “I could kiss you for hours/And not miss a thing.” Yes, that’s a thing you want to feel! A very good thing! This song has a fuzzy euphoric glow to it that matches those words. It’s pretty straightforward. But I mean it also sounds like it feels like to be in that state. I mean, it just goes to show you how much this album is, if not a sex album, a makeout album at the very least. Seriously, I feel like if you have someone over and things are going well and you put on this album they will start to go VERY well.
Okay, well, maybe some tracks are not so sexy lyrically (but who is listening to the words during makeouts?). Like “Pendulum” for instance, which is about feeling insufficient in your relationship because your partner has basically told you so. The video is gorgeous to watch at least and features some amazing (hair) shibari and suspension. It reminds me a bit of the video for “Pagan Poetry” by Björk but without the nudity and…extreme…body piercing. A different kind of kink then.
“Video Girl” is the creepiest song after the intro track, I’d say. This sounds like a song about a cheating partner (Is she the girl that’s from the video?/Stop, stop lying to me), but it’s really about twigs herself! She started her career as a successful backup dancer in music videos for several big artists (Kylie Minogue, Ed Sheeran, and Jessie J to name a few) and was kind of stuck in this role when she was trying to break off and make a name for herself as an artist (yay! She succeeded!). The video is even more unnerving, and features her watching and dancing on top of a man being put to death by lethal injection, like she’s some hallucination or succubus. There is some more creepy though not quite graphic imagery, like the stuff you see at the edges of your mind when you remember a nightmare you had, so just a heads up about that. (Oh, also also it starts with “Prelude”!)
I really like the track “Numbers” a lot, even though, again, it’s not thematically very sexy. “Was I just a number to you?” I mean, that says it all. But it’s so trip-hoppy and hypnotic, it just pulls you right in. It’s bitter and pining and devastated and seething with barely contained anger. There are also a lot of little creepy noises and whispers. It sounds like there’s a poltergeist in this song at times.
“Closer” makes for a pleasant follow-up track. It’s got this sort of church choir sound to it. Like a hymn or something. It’s definitely full of joy and praise, run through twigs’s trippy chillout stylings. It’s not my favorite track, but it’s a very nice one!
The next track, “Get Up,” is nice too, but it’s sad. You know, with a lot of these songs, I can imagine a unique dance assigned to them. I mean, twigs was a backup dancer after all, and a very good one at that. This one is graceful like a ballet and tragic too. I’m no choreographer, but I can feel my body moving to this one in a very particular way.
“Kicks” is the final track and it seems to answer the thesis set by the intro. Where twigs started hating herself, she now practices self-love. Literally. It seems like she’s hesitant to do so at first, but eventually she justifies it to herself. Because she deserves it, dammit! “When I’m alone/I don’t need you/I love my touch/Know just what to do.”
I’ve been thinking about what kind of person I would recommend this album too. I think if you like Björk, especially Vespertine, you would like this album. If you like iamamiwhoami (haha, how many people would that be again?), especially bounty, then you would probably like this album. I think you have to have a little patience to like LP1 because it’s not an album you jam to. It’s a good background album. It’s a good headphones album too. There are lots of interesting noises going on here, as I’ve mentioned multiple times. Sorry, I just really like music with subtle, interesting noises! It’s one of the reasons Vespertine is one of my favorites, and it’s why I draw so many comparisons between that one and this one. While I don’t think LP1 has quite as much lasting power as Vespertine, I think it’s still worth the listen and I would highly recommend it to anyone who’s interested in the comparisons.